With the amount of clutter the average consumer faces, brands need an
icon or image that can stand on its own. When it comes to football it’s
usually less important as fans identify with their club on a more tribal
level. But as mid-table or smaller clubs begin to succeed and get more exposure through
continental competition, they find that they can suddenly reach a global audience. With this new
potential global fanbase in waiting, the importance for iconic branding
finally comes into play.
The focus of this
project was Girondins de Bordeaux, a club in the south-west of France.
Apart from their impressive 2008-09 campaign which led to a league title
and domestic cup, Bordeaux have struggled to make much of an impact in
the league in recent years. They have since been fighting for a chance to get back into
a Champions League, having made a great run to the quarter finals back
in 2009 but a few appearances in the Europa League gives them a stepping stone to rejoin Europe's elite, where as mentioned, a strong brand can benefit from global exposure.
In the past, Bordeaux had a good range of logos that
would stand out against some of their
competition even today. Somewhere in the 1990s however, a trend of minimalist text based logos rose in French football. Clubs like Paris Saint-Germain and Lyon abandoned their imagery for simple, stylized acronyms of their club names. In the case of those two clubs, they both reverted to more traditional football logos, featuring the
icons that they had used in previous years; icons that represent their cities that could still be recognizable to the casual fan.
Bordeaux however, on their
latest redesign, continued with the minimalist approach, going with a
simple badge and a slightly cleaned up version of an icon that was used
in the 70s and 80s. For the concept, I decided to go a little
further back to the 1960s where Bordeaux’s logo had the potential to be
more prominent.
I stuck to the overall design of this logo with the two most prominent elements of that design - the anchor and the chevron - cleaned up. The colour palette was the only thing that was kept from the existing Bordeaux badge so as to have some level of continuity and not alienate fans with a complete overhaul. And finally, the anchor would stand on its own as an icon that could be used on a variety of merchandise.
This blog complements lovefootballhatefootball.com, showing the work that goes into a typical rebrand and giving the reader some insight into the mind of a designer.